Jean Sibelius (1885-1957) : Songs
A1 - Om Kvallen, Op. 17, No. 6
A2 - Var det en drom, Op. 37, No. 4
A3 - Hostkvall, Op. 38, No. 1
A4 - Demanten pa Marssnon, Op. 36, No. 6
A5 - Flickan kom ifran sin alsklings mote, Op. 37, No. 5
A5 - Arioso, Op. 3
B7 - Varen flyktar hastigt, Op. 13, No. 4
B1 - Se'n har jag ej fragat mera, Op. 17, No. 1
B2 - Men min Fagel marks dock icke, Op. 36, No. 2
B3 - Pa Verandan vid Havet, Op. 38, No. 2
B4 - Den Forsta Kyssen, Op. 37, No. 1
B5 - Svarta Rosor, Op.36, No. 1
B5 - Saf, saf, susa, Op. 36, No. 4
B5 - Kom nu hit, Dod!, Op. 60, No. 1

Recorded in February 1958 at Kingsway Hall in London by Alan Reeve and Gordon Parry.

Jean Sibelius composed songs from the beginning almost to the end of his lifetime. Shortly before his death, he arranged the piece, which closes this album, "Kom nu hit, Död", and so opened a stylistic gateway to Modernity. All the songs in this collection were composed around 1900 and are filled with Late Romantic harmony, a glorious sound and emotional feeling. The song "Svatar Rosor" is immersed in an alternating bath of major and minor to evoke a dramatic and tragic mood, while the wonderfully colourful "Den Första Kyssen", op. 37 no. 1 depicts in music a girl’s dialogue with the evening star. And with "Flickan kom ..." op. 37 no. 5 and "Var det en dröm" op. 37 no. 4, a powerful vocal drama is placed alongside a lyrical gem. Of the latter work Sibelius allegedly said: »Here you are, this is my most beautiful song!«

Without a doubt, Kirsten Flagstad is the ideal singer for this repertoire. Her highly dramatic soprano voice rises monumentally over the surging orchestral sound but dims down appropriately and effortlessly in the hushed passages. Wagnerians, Strauss lovers and fans of grand romantic gesture will thoroughly enjoy this LP.

The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

This Speakers Corner LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head, and was pressed with virgin vinyl at Pallas. More information under http://www.pure-analogue.com