Patricia Barber : Smash

Patricia Barber : Smash

41.00

Partricia Barber (vocals, piano), John Kregor (guitar), Larry Kohut (bass), Jon Detemyer (drums)

MoFi MFSL 2-427

Mobile Fidelity Records : 2 LPs 180 gram

Numbered Limited Edition

Brand New and Sealed Record

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A1 - Code Cool
A2 - The Wind Song
A3 - Romanesque
B1 - Smash
B2 - Redshift
B3 - Spring Song
C1 - Devil's Food
C2 - Scream
C3 - The Swim
D1 - Bashful
D2 - The Storyteller
D3 - Missing

Recorded in 2013 at Chicago Recording Company, Chicago.

Accessible and complicated, alluring and challenging, sensuous and liberating, Patricia Barber's Smash once and for all confirms the pianist/singer exists in an elevated artistic plane reached by none of her generational peers. Four years in the making, and the beloved musician's first studio record since 2008, her Concord Records debut defies expectations and crystallizes her status as a preeminent songwriter. Informed by personal episodes of significant loss and yearning, the album masterfully unites harmony and melody via uncommon delicacy, tonal intimacy, and ethereal surrealism. It will likely stand as 2013's finest jazz effort, an instant classic.

Akin to Mobile Fidelity previous Barber releases, Smash brings the singer and her band into your listening room, converting it into a recreation of the stage at Chicago's Green Mill, Barber's home base. Sonic characteristics crucial to Barber's sophisticated compositions – atmospherics, decay, whisper-soft transients, mood, acoustic dimensions, precise imaging – are rendered with utmost detail, balance, and accuracy. All else that's required for your trip to the Green Mill is a stereo and glass of chardonnay.

Punctuated by deft instrumental passages and mysterious verses, Smash marks a triumphant return for Barber after she endured a series of melancholic episodes, including the death of her mother and four other people close to her. In addition, a disagreement with business associate cost her untold amount of money. She also broke away from Blue Note after its president stepped down from his position. Barber channels these painful, often-angry experiences and transitional periods into expressionistic poetry on Smash, transferring her emotions to arrangements that mirror the deep, meaningful cycle of human life and death.

Backed by a brilliant trio, Barber opts for her now-signature subdued methods, allowing each syllable to linger, every note to hover before fading, each rhythmic line to develop unique relationships with the groove. Chicago Tribune jazz critic Howard Reich wrote in his rave review of Smash: "No one else writes or sounds like this, in other words, because no one else approaches the art of singing, songwriting, and piano playing with Barber's particular interests. The liquidity of her vocals, the sharp edge of her jazz pianism, and the quirkiness of her original songs cannot be imitated and remain a work in progress."

These aspects, and more, are immediately apparent on Smash, arguably the boldest and most satisfying set of the reclusive talent's career. Her famously seductive and breathy vocals, supple right-hand runs, and nuanced harmonics simultaneously engage, hypnotize, and tempt. Her mates follow suit with aptly sculpted bass lines, taut percussion, and suggestive guitar fills. A model of economical succinctness, Smash takes risks, harbors intensity, and utilizes silences to communicate. It represents a new level for 21st century jazz.

This Mobile Fidelity LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head and was pressed on virgin vinyl at RTI.

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