Eric Bibb : Painting Signs

Eric Bibb : Painting Signs

25.00

Manhaton 2005

Pure Pleasure Records : 2 LPs 180 gram

Brand New and Sealed Record

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A1 - Kokomo
A2 - Delia's Gone
A3 - Hope In A Hopeless World
A4 - I Heard The Angels Singing
B1 - Five Miles Above
B2 - Angel
B3 - Got To Do Better
C1 - Walkin' Home
C2 - Paintin' Signs
C3 - To Know You
D1 - Time to Move On
D2 - Honest I Do
D3 - The Light Was Worth the Candle
D4 - Don't Ever Let Nobody Drag Your Spirit Down

Released in 2011

With Painting Signs, Eric Bibb makes a fine case for blues as a music of introspection, warmth, and supreme nuance. Easily his most mature album to date, Painting Signs continues Bibb's formula of socially aware songs performed from an acutely personal point-of-view; standout tracks "Don't Ever Let Nobody Drag Your Spirit Down" and a cover of "Hope in a Hopeless World" hammer home his message of individual freedom and the responsibilities that accompany it. (It's no coincidence that Pops Staples, to whom Bibb dedicates this album, once recorded the latter song.) That's not to say Painting Signs is overly didactic or, indeed, "heavy" in any way; even the most serious songs here, like the plea for peace and unity "Got To Do Better," are leavened by a musical backdrop that's soulful and immediately accessible. Gospel-leaning backing vocals by Linda Tillery and her Cultural Heritage Choir help flesh out several cuts, and robust accordion fills by Bibb's longtime accompanist Janne Petersson add a subtle Louisiana flavor to the rolling, propulsive "Kokomo" and, to surprisingly good effect, the deep-grooved version of Jimmy Reed's "Honest I Do." Elsewhere, he keeps a minimalist tone dominated by acoustic guitar, an arrangement that's particularly mesmerizing on the chilling title track. With its emphasis on sophisticated songcraft and its gentle blend of folk, gospel, and country influences, Painting Signs presents Bibb as an artist intent on blurring the line between blues and "roots music" in general.

This Pure Pleasure LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head and was pressed with virgin vinyl at Pallas.