Art Blakey : Moanin'

Art Blakey : Moanin'

41.00

Lee Morgan (trumpet), Benny Golson (tenor sax), Bobby Timmons (piano), Jymie Merritt (bass), Art Blakey (drums)

recorded in 1958

Blue Note 4003

Analogue Productions : 2 LPs 200 gram (45 rpm)

Brand New and Sealed Record

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1 - Moanin'
2 - Are You Real
3 - Along Came Betty
4 - The Drum Thunder Suite :
- Drum Thunder
- Cry A Blue Tear
- Harlem's Disciples
5 - Blues March
6 - Come Rain Or Come Shine

Recorded on October 30, 1958 at Rudy Van GelderStudio in Hackensack, New Jersey.

This was Art Blakey's first album for Blue Note in several years, after a period of recording for a miscellany of labels, and marked both a homecoming and a fresh start. Originally the LP was self-titled, but the instant popularity of the bluesy opening track "Moanin'" (by pianist Bobby Timmons) led to its becoming known by that title.

The rest of the originals are by saxophonist Benny Golson (who was not with the Jazz Messengers for long, this being the only American album on which he is featured). "Are You Real?" is a propulsive thirty-two-bar piece with a four-bar tag, featuring two-part writing for Golson and trumpeter Lee Morgan. "Along Came Betty" is a more lyrical, long-lined piece, almost serving as the album's ballad. "The Drum Thunder Suite" is a feature for Blakey, in three movements: "Drum Thunder"; "Cry a Blue Tear"; and "Harlem's Disciples". "Blues March" calls on the feeling of the New Orleans marching bands, and the album finishes on its only standard, an unusually brisk reading of "Come Rain or Come Shine". Of the originals on the album, all but the "Drum Thunder Suite" became staples of the Messengers book, even after Timmons and Golson were gone. Recorded by Rudy Van Gelder in his meticulous Hackensack studios, this recording reflects the hallmark precision associated with that engineer

The album stands as one of the archetypal hard bop albums of the era, for the intensity of Blakey's drumming and the work of Morgan, Golson and Timmons, and for its combination of old-fashioned gospel and blues influences with a sophisticated modern jazz sensibility. The album was identified by jazz critic Scott Yanow as one of the 17 Essential Hard Bop Recordings.

The "golden age" of recordings was from 1955 to 1965, at the beginning of the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

This Analogue Productions LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head and was pressed on 200-gram virgin vinyl at Quality Record Pressings.

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