Shelly Manne & Bill Evans : Empathy

Shelly Manne & Bill Evans : Empathy

25.00

Bill Evans (piano), Monty Budwig (bass), Shelly Manne (drums)

Verve 8497

Speakers Corner Records : LP 180 gram

Brand New and Sealed Record

Discontinued : last copy available!...

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A1 - The Washington Twist
A2 - Danny Boy
A3 - Let's Go Back to The Waltz
B1 - With a Song In My Heart
B2 - Goodbye
B3 - I Believe In You

Recorded on August 14, 1962 in New York City.

Empathy was Bill Evans's first album for Verve Records, after he was released from his contract with Riverside Records, and the two musicians' first collaboration. The sculpture on the cover was by Sheldon Machlin.

This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio.

The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day. Empathy - Dave Nathan

The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

This Speakers Corner LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head, and was pressed with virgin vinyl at Pallas. More information under http://www.pure-analogue.com

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