Mozart : Piano Concertos Nos. 19 & 27

Mozart : Piano Concertos Nos. 19 & 27

19.00

Clara Haskil, Ferenc Fricsay, Berlin Philarmonic Orchestra, Bayerisches Staatsorchester (1955)

Deutsche Grammophon LPM 18383

Speakers Corner Records : LP 180 gram

Brand New and Sealed Record

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Wolfgang Amadeus Mozart (1756-1791) :
A - Piano Concerto No. 19 in F Major
B - Piano Concerto No. 27 in B flat Major

In spite of the varying degrees of popularity of Mozart’s numerous piano concertos, no one would seriously consider ranking them by quality. It would certainly prove an impossible task, for each and every one of these intense yet often playful compositions could be considered the most perfect of its genre. In view of this, one should concentrate on each work’s highly individual character and this can hardly be more contrasting than in the present two pieces. Thanks to the joyous, energetic disposition of No. 19 in F major, K. 259, it appears to be filled with the exuberant spirit of Mozart’s Viennese period – a time when he amazed audiences with his dexterity at the keyboard. As a contrast, the mood of the late No. 27 in B flat major, K. 595, which was performed in a small circle, is introvert and mellow. The old adage that Mozart’s final concerto was a gesture of farewell and filled with a premonition of death is certainly not substantiated by Haskil and Fricsay’s performance. Through the subtle and flowing clarity of her piano part under the tense and elastic opposition of the orchestra, the soloist banishes the question of the end of time into the background and so pays hommage to the relaxed and self-assured mastery of the Salzburg composer.

Recorded in September 1955 at Jesus-Christus-Kirche in Berlin and May 1957 at Herkules Saal in Munich.

The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

This Speakers Corner LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head, and was pressed with virgin vinyl at Pallas. More information under http://www.pure-analogue.com