Richard Holmes & Gene Ammons

Richard Holmes & Gene Ammons

19.00

Richard “Groove” Holmes (organ), Gene Ammons (tenor sax), Gene Edwards (guitar), Leroy Henderson (drums)

Pacific Jazz 32

Pure Pleasure Records : LP 180 gram

Brand New and Sealed Record

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1. Good Vibrations
2. Willow Weep for Me
3. Juggin' Around
4. Groovin' With Jug
5. Morris the Minor
6. Hey You, What's That?

Recorded on August 15, 1961 in Los Angeles : at Pacific Jazz Studios in the afternoon (side B), and several hours later at a L.A. club called the Black Orchid (side A).

Ironically, Gene "Jug" Ammons tended to be critical of organists; he was quoted as saying that "organ players don't know any changes." However, as critical the Chicago tenor saxman might have been of organists -- most of them, anyway -- he did some of his best work in their presence. When you united Ammons with Jack McDuff, Johnny "Hammond" Smith and other B-3 masters in the '60s, the sparks would fly. They certainly fly on this excellent album, which finds Ammons and Richard "Groove" Holmes co-leading a soul-jazz/hard bop organ combo that also includes guitarist Gene Edwards and drummer Leroy Henderson. The quartet is heard in two settings on August 15, 1961 -- three of the eight selections were produced by Richard Bock in a Los Angeles studio in the afternoon, while the other five were recorded several hours later an L.A. club called the Black Orchid. Ammons and Holmes prove to be a strong combination in both settings, although their playing is somewhat looser at the Orchid, where the delights include some slow blues (Ammons' "Hittin' the Jug"), a smoky ballad ("Willow Weep for Me") and a lightning-fast barnburner (Ammons' "Juggin' Around"). However critical Ammons might have been of most organists, it's obvious that he and Holmes share a lot of common ground on Groovin' With Jug. 

The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

This Pure Pleasure LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head and was pressed with virgin vinyl at Pallas.