Mischa Elman : Encores
Mischa Elman : Encores
Mischa Elman (violin), Joseph Seiger (piano)
Decca LXT 5304
Analogphonic Records : LP 180 gram
Brand New and Sealed Record
Antonin Dvorak (1841-1904), Arr. Fritz Kreisler (1875-1962) :
A1 - Slavonic Fantasia
Felix Mendelssohn (1809-1847) - Fritz Kreisler :
A2 - Song Without Words, Op. 62, No. 1 "May Breezes"
Charles Miller (1899-1985) :
A3 - Cubanaise
Fritz Kreisler (1875-1962) :
A4 - Liebesleid
Mischa Elman (1891-1967) :
A5 - Tango
Cesar Espejo (1892-1988) :
B1 - Airs Tsiganes
Giuseppe Sammartini (c.1693-c.1750) - Mischa Elman :
B2 - Canto Amoroso
Henryk Wieniawski (1835-1880) :
B3 - Chanson Polonaise
Arthur Benjamin (1893-1960) :
B4 - From San Domingo
Bedrich Smetana (1824-1884) :
B5 - From My Homeland No. 2
Recording details unknown
Mischa Elman (1891-1967), who was born at Talnoy, Kiev, made his first public appearance as a violinist at a village concert when he was five years old. His prodigious talents soon came to the notice of Leopold Auer, who adopted him as a pupil at St. Petersburg in 1901. Elman's Berlin debut took place in 1904, with immediate and outstanding success, which was repeated in the following year on his first appearance in London when he played the Tchaikovsky concerto at the Queen's Hall. With this same concerto, three years later, he introduced himself to America (New York, December 1908). Since then he has been recognized as one of the world's foremost violinists, and is particularly renowned for his beautiful tone and technical mastery. In the present recording, Mischa Elman presents some of the shorter pieces with which he has captivated audiences all over the world.
"Elman still plays with charm and elegance... In this batch of pieces, where the encore wags the concert, so to speak, Elman and Seiger combine war-horses and novelties in captivating manner. I was charmed by the exotic From San Domingo, by Arthur Benjamin, with its echoes of guitars and popular songs. Charles Miller’s Cubanaise... (its) vivacious rhythms and sonorous middle section are most appealing. Perhaps the item that most listeners will fall for is Elman’s arrangement of the so-called Canto Amoroso by Sammartini, an encore which Elman has made peculiarly his own." - Gramophone
The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.
This Analogphonic record was mastered from the original Deutsche Grammophon master tapes by Marteen De Boer, using pure analogue audiophile equipment, cut at Emil Berliner Studio Berlin, and pressed at Pallas GmbH in Germany.