Kenny Dorham : Afro-Cuban

Kenny Dorham : Afro-Cuban

65.00

Lou Donaldson (alto sax), J.J. Johnson (trombone), Hank Mobley (tenor sax), Cecil Payne (baritone sax), Horace Silver (piano), Oscar Pettiford, Art Blakey (drums) 

Blue Note 1535

Music Matters Records : 2 LPs 180 gram (45rpm)

Limited Edition : 2,500 printings

Brand New and Sealed Record

Discontinued : last copy available!...

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1 - Afrodisia
2 - Lotus Flower
3 - Minor's Holiday
4 - Basheer's Dream
5 - K.D.'s Motion
6 - The Villa
7 - Venita's Dance

Recorded on January 30 and March 29, 1955, at Rudy Van Gelber Studio in Hackensack, New Jersey.

One of the truly great trumpeters, Kenny Dorham had his own sound, was a skilled songwriter, and was a first-rate talent scout who is credited with discovering Joe Henderson. One of the early beboppers, he perfectly led the way to hard bop in both his playing and his writing. Dorham recorded a series of exciting albums for Blue Note. Afro-Cuban was the first and one of the most stirring. Dating from 1955, its mixture of Latin music and hard bop was ahead of its time. Using such notables as Hank Mobley, Horace Silver, J.J. Johnson and Art Blakey (whose drumming is dazzling throughout) plus percussionist Patato Valdes, Dorham contributes memorable originals, colorful arrangements that perfectly set up the solos, and his distinctive trumpet. Kenny Dorham, who plays with passion and intensity throughout this set, leads the all-star group through such numbers as "K.D.'s Motion," "Minor's Holiday" and the mambo of "Basheer's Dream." Even the set's only ballad, "Lotus Flower," is just barely restrained enough to keep the ensemble from exploding. This album will raise the temperature in any room by at least five degrees.

The Allmusic review by Michael G. Nastos awarded the album 5 stars and stated "A first-rate recording for the under appreciated Dorham, this one should be in every collection of all true music lovers."

The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

Like all Music Matters Jazz releases, this audiophile vinyl reissue is remastered by Kevin Gray and Steve Hoffman at AcousTech from the original analogue Van Gelder studio tapes and pressed on 180g virgin vinyl at RTI in Camarillo, CA. The highest quality gatefold cover features original session photography on the inside.

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