Duke Ellington : Piano in the Background

Duke Ellington : Piano in the Background

19.00

Duke Ellington (piano), Johnny Hodges, Harry Carney, Russell Procope (sax), Ray Nance, Willy Cook (trumpet), Lawrence Brown, "Booty" Wood (trombone), Aaron Bell (bass), Sam Woodyard (drums), a.o.

Columbia CS 8346

Speakers Corner Records : LP 180 gram

Brand New and Sealed Record

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A1 - Happy Go Lucky Local
2. What Am I Here For
3. Kinda Dukish / Rockin' In Rhythm
4. Perdido
B1 - I'm Beginning To See The Light
2. Midriff
3. It Don't Mean A Thing
4. Main Stem
5. Take The "A" Train

Recorded in May and June 1960 at Radio Recorders, Los Angeles.

Big band fans, take note! These nine numbers, in precisely this version, belong in every collection. We are talking about the year 1960, and the 17 musicians involved have probably performed this very repertoire every night in a different venue all over the globe. But in the studio it all sounds fresh and new, well practised but never dull, cool, groovy and intoxicating. The difference to a great number of other Ellington LPs is that here not a single wind soloist stands in the foreground but the whole body of musicians. The arrangements are all new and some of them are even quite unusual, but Sam Woodyard on the drums has everything well under control - sometimes not at all 'Ellington-like'.
Snapping the fingers is automatic, and tapping your foot is also not to be frowned on; however this recording demands careful listening! If you have the first version of these numbers in your collection then it would be a good idea to compare them with this recording. The Duke Ellington Orchestra remains young, dynamic and varied thanks to a continually changing ensemble. And the 'Piano Man', as the best 'pause-filling' pianist ironically called himself, sat full of vigour before the 88 keys of the keyboard at the age of 60.
Not only jazz fans will be saying a big thank you that this recording - made in the early days of stereophony - is available once again on virgin vinyl with superb sound.

The "golden age" of recordings was from 1955 to 1965, at the beginning of the LP and the stereo era, where pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and illumination.

This Speakers Corner LP was remastered using pure analogue components only, from the original analogue studio tapes through to the cutting head, and was pressed with virgin vinyl at Pallas. More information under http://www.pure-analogue.com